November 7th, 2016
Panoramic photo of China Obscura installation of Cyanotype paintings and prints in Shenzhen, China, November 2016
Click photo above to view full size.
Shenzhen has become a center for Chinese design, and is an exciting young city near Hong Kong. At 7 million people, it's about the same size.
I was thrilled to represent San Francisco's stARTup Art Fair with the China Obscura installation at Shenzhen City Art Fair this weekend.
Sunlight passes through handmade paper permeated with Cyanotype blue. Calligraphy is Mao's distinctive handwriting on a window design typical of Beijing hutong architecture
Couldn't have done it without the help from translators like Percy, who has the work ethic that's made the region so successful: while finishing an MA in Simultaneous Translation, he's also co-owner of a PR company for auto racing events.
September 8th, 2016
Hake brushes blue from cyanotype chemicals
Studio shipment arrived from Beijing this week. Now my brushes are back, it's time to get painting in the new studio.
August 8th, 2016
Vintage windows in my short-term rental in Yau Ma Tei, Kowloon
Ten years ago, I moved to Hong Kong for love, following a husband who lived here. Now, I return for life.
I work as Artist-in-Residence for an educational foundation. They have recently transferred me to Hong Kong, and I look forward to beginning a new life here. There are many new paintings in the works, and a studio to make them in.
Our Artist-in-Residence studio in Kowloon Tong. Contact me if you'd like to visit
Maybe it was meant to be.
July 26th, 2016
This week, the Greenbacks Project comes to Washington DC.
The Greenbacks Project explores ties between the US and China through our currencies. I am carving 500 USD and 500 Chinese Yuan into a large-scale artwork. Stop by and view the work in progress, and contribute a word you think of, related to money.
Greenbacks in progress
June 17th, 2016
"APEC Blue" is the name Beijingers gave the city's brilliant skies for a week in winter 2014. Ten thousand factories had been closed, and millions of cars banned before and during the APEC conference. The city shut down as world leaders – including President Obama – converged on China's capital. Roads were peaceful, the air was fresh, and we were chilled as coal-fired heating was turned off to ensure skies remained clear.
APEC Blue, Cyanotype painting on handmade paper, 14 x 20 inches (36x5cm), 2016
"APEC Blue" incorporates traditional Chinese Cracked Ice motifs, and will be used as a design for a quality pollution mask.
Beneath a thin layer of gesso are printed texts in English and Chinese, from articles on Beijing's 'airpocalypse' incidents (when hazardous pollution rises to levels beyond index) and the Chinese government's threats to the US Embassy after they broadcast real pollution levels.
If you're in the Los Angeles area, you're welcome to view the artwork at bG Gallery's Spectrum Gestalt show. It opens tomorrow 18th June, 5-8pm.
I'll be present at "Reception 2", Saturday 2nd July from 4-7pm.
You're welcome to meet me there.
June 8th, 2016
China Obscura installation Beijing, Cyanotype paintings "Mourning Chamber in the Forbidden City" digitally printed on vinyl, dimensions variable, June 2016
Just before leaving Beijing, I mounted this installation of prints of my paintings, the last while living in the city that has been home for 4+ years.
"Mourning Chamber in the Forbidden City" depicts the structure built in memory of Concubine Zhen by her sister, a place to meditate in remembrance. Zhen was reputedly thrown into a well by eunuchs on the orders of Dowager Empress Cixi. Inside the original cyanotype are maps of the legation quarter, to which foreigners were virtually confined and later attacked on Cixi's orders, and calligraphy by her as well.
Like most of the series, the original paintings are are pairs of perspectives, different views of the same structure seen in polarizing ways.
"Mourning Chamber in the Forbidden City", 144 x 200cm (56 x 78 in), Cyanotype painting on mulberry / bamboo paper, 2015
Update: the original painting is currently available through the Studio 26 Gallery located in the East Village, NYC
May 1st, 2016
China Obscura installation at StARTup Art Fair, San Francisco
Office Windows of the Great Dictator, 2015
Design: View into and out of Mao's office windows from his villa Meiling (Wuhan), a retreat he nicknamed "Home of the White Clouds and Yellow Cranes"
Mourning Chamber in the Forbidden City, 2015
Design: View into and out of the mourning chamber built for Concubine Zhen by her sister. Zhen was reputedly thrown into a well by eunuchs by orders of Dowager Empress Cixi
A friend and lighting designer helped set up the exhibition.
Original Cyanotype paintings line the walls. Installation materials covering the floor were printed in Beijing and later donated to Artspan and Root Division, arts charities in San Francisco, for painting dropcloths.
More photos of the installation here.
April 18th, 2016
A catalog of my China Obscura series will soon be available from Pixalib books.
You can preview and order it here.
March 5th, 2016
I'm excited to share that my China Obscura series will be part of the StARTup Art Fair in San Francisco, 29th April – 1st May 2016.
For this exhibition, I will transform a two room junior suite of the Hotel del Sol with an installation of my Cyanotype paintings from floor to ceiling. Why exhibit in a hotel rather than a more conventional art fair? This venue is an ideal location for me to explore the confrontations of art with space and perception, in 360 degrees. Though I was born in the Bay Area (Vallejo), this is my first time exhibiting in the region.
If you're in the Bay Area or at the Art MRKT San Francisco nearby from 29th April-1st May, hope to see you there.
December 14th, 2015
The group exhibition runs from 27th December 2015 through 26th January 2016